15 Best Volume Pedals (2024) For Guitar Players

Picture yourself shredding on your guitar but suddenly realizing you can’t quite control the dynamics of your sound.

You need a volume pedal, my friend!

In this blog article, we’ll dive into the world of the best volume pedals, helping you to achieve that perfect balance of sound and expression.

Whether you’re a gigging musician, a bedroom rockstar, or a pedal enthusiast, this guide is for you.

We’ll explore the top-volume pedals on the market, their features, and what makes them stand out from the rest.

By the end of this article, you can decide on the ideal volume pedal to elevate your playing experience.

Best Volume Pedals

Before I begin, here are my top selected choices:

	Dunlop High Gain Volume Pedal Total of 3.8/5 Dynamic control with no power needed. Check Price
	SONICAKE Vexpress Passive Volume Pedal Total of 3.7/5 Smooth, portable, multi-functional analog pedal with no battery needed. Check Price

Ernie Ball’s MVP (Most Valuable Pedal) is a versatile and durable volume pedal designed for guitarists seeking precise volume control.

The MVP allows smooth volume adjustments without high-frequency loss, making it compatible with active and passive electronic systems.

One of its standout features is the gain boost capability, which can increase the audio signal by up to 20 decibels.

Constructed with aircraft-grade aluminum housing, this pedal is practically indestructible.

It measures 11.25 x 4.75 x 3.5 inches and weighs 2.66 pounds.

The pedal operates on a 9-volt battery or a DC 9V/100mA minimum power supply.

With an analog signal format, it ensures a natural and responsive performance.

Ernie Ball, a renowned brand in strings and accessories, has been committed to providing top-quality products for guitar and bass players since 1962.

The MVP pedal is just one of the many innovative offerings from the company aimed at enhancing the playing experience of musicians worldwide.

• My Review

I’ve had the opportunity to use the Ernie Ball MVP Most Valuable Pedal, which offers quite a unique experience.

This volume pedal provides a smooth foot sweep, allowing for accurate volume control without any loss in high frequencies.

In addition, it works well with active and passive electronic systems, making it a versatile choice for guitarists.

One feature I found particularly useful is the gain boost capability, which can amplify the audio signal by up to 20 decibels.

This allows for an extra punch when needed, making it a valuable addition to my pedalboard.

In addition, thanks to its aircraft-grade aluminum housing, the pedal’s construction is solid and rugged.

It feels durable and built to last, essential for any musician who gigs frequently.

The MVP pedal operates on a 9-volt battery or a DC 9V/100mA minimum power supply, offering flexibility depending on your setup.

In addition, its analog signal format ensures a natural and responsive performance, which is crucial for achieving the right sound.

Ernie Ball MVP Volume Pedal Review

However, I did notice a few issues with the pedal.

First, the volume control’s taper could be smoother, as the sweep’s last bit feels abrupt, making it challenging to achieve gradual swells.

Additionally, the pedal doesn’t completely mute the sound in the heel position, even with the ‘min’ control fully down.

This could be a minor annoyance for some players.

On the other hand, the built-in active buffer brightens up the signal, which can benefit those with long pedal chains.

Here are the ratings I’ll give to the Ernie Ball P06182 MVP Most Valuable Pedal:

As a result, the Ernie Ball MVP Pedal is a valuable tool for musicians seeking precise volume control and gaining boost capabilities.

Despite minor drawbacks, it’s a reliable and robust addition to any guitarist’s gear collection.

• Pros:
  • Smooth foot sweep
  • Gain boost up to +20dB
  • Works with active and passive electronics
  • Compact, rugged design
  • Adjustable sweep for gradual swell

• Cons:
  • Possible volume bleed at minimum position
  • Possible issue with defective pots
  • Exponential pedal sweep can be difficult to control
  • May add warble to tone
  • Input jack may become loose

My final verdict is that the Ernie Ball MVP Most Valuable Pedal is a solid option for those needing a volume pedal with versatile features and a well-respected brand.

With minimum volume control, gain boost, and the ability to work with any signal in the chain, the MVP is a versatile and reliable addition to any pedalboard.

The rugged design and quality construction make it a durable option for gigging musicians.

However, some users have reported issues with the pedal’s volume bleed, potentiometers, and input jacks.

Additionally, the price point may be a bit high for some users looking for a more affordable option.

Overall, the MVP is a great option for those willing to invest in a quality volume pedal from a trusted brand.

The SONICAKE Vexpress is a passive volume pedal designed to give musicians smooth, precise control over their instrument’s volume.

This versatile pedal is compatible with various instruments, including guitars, basses, and keyboards.

In addition, its passive design means there’s no need for a power supply, simplifying your setup and making it more portable.

Crafted with durable, compact aluminum alloy housing, the Vexpress is built to withstand the rigors of touring and frequent use.

The high-quality, wear-resistant potentiometer ensures consistent performance and longevity.

Additionally, the pedal features a minimum volume control knob, allowing users to set the lowest volume level they desire.

One notable feature of the Vexpress is its dual outputs, providing the ability to connect to two separate devices simultaneously, such as an amplifier and a tuner.

This enables musicians to tune their instruments silently without disrupting the performance.

Furthermore, its smooth, tapering volume response curve allows for seamless volume swells and precise adjustments, making the Vexpress a valuable addition to any musician’s toolkit.

• My Review

I recently had the opportunity to try the SONICAKE Vexpress Passive Volume Pedal, and I must say that it’s an impressive piece of gear.

Its passive design eliminates the need for a power supply, making it a convenient addition to my pedalboard.

The aluminum alloy housing is lightweight and robust, ensuring the pedal can withstand frequent use and transportation.

While using the Vexpress, I appreciated its smooth and precise volume control.

The tapering volume response curve allowed me to create beautiful volume swells and make subtle adjustments effortlessly.

In addition, the minimum volume control knob came in handy, as I could set my desired lowest volume level, giving me greater control over my dynamics.

Connecting the pedal to an amplifier and a tuner was seamless, thanks to its dual outputs.

SONICAKE Volwah (Volume & Wah) and Vexpress (Volume &Expression), 2 in 1, Compact

This feature enabled me to tune my instrument silently without interrupting the flow of a live performance or practice session.

In addition, the Vexpress worked well with different instruments, including my guitar, bass, and keyboard, making it a versatile addition to my collection.

However, I noticed that the pedal’s travel felt short compared to other volume pedals I’ve used.

This didn’t affect the functionality or accuracy of the pedal, but it took a bit of getting used to.

Also, the passive design, while advantageous in some aspects, might not suit those who prefer an active pedal with a buffer to maintain signal strength over long cable runs.

Here are the ratings I’ll give to the SONICAKE Vexpress Passive Volume Pedal:

Despite these minor drawbacks, I found the SONICAKE Vexpress a reliable and valuable addition to my gear setup.

Its smooth volume control, durable construction, and versatile compatibility make it an excellent choice for musicians seeking a high-quality, passive volume pedal.

• Pros:
  • Compact and lightweight design.
  • Passive operation doesn’t require power supply.
  • Smooth volume control.
  • Durable aluminum construction.

• Cons:
  • No tone shaping options.
  • No LED display for volume level.
  • No switch for bypassing the pedal.

My final verdict is that the SONICAKE Vexpress Passive Volume Pedal is a solid option for guitar players looking for a simple and affordable volume pedal.

It offers a sturdy and compact design, smooth volume control, and compatibility with various instruments and setups.

While it may lack advanced features and tone-shaping capabilities, it still delivers reliable performance and decent sound quality.

The brand reputation is also positive, with SONICAKE being known for producing affordable and practical guitar pedals.

Overall, if you’re on a budget or prefer a no-frills volume pedal, the SONICAKE Vexpress is worth considering.

However, if you require more advanced features or precise tone shaping, you may need to look at more high-end models.

The Dunlop Volume X Mini Pedal is a compact and efficient device designed for controlling volume levels and FX parameters on your pedalboard.

Its small size is perfect for saving space while maintaining excellent performance and durability.

Crafted with a lightweight aluminum chassis and a low-friction band-drive system, this pedal ensures a smooth range of motion and consistent performance.

One standout aspect of this pedal is its adjustable rocker tension, allowing users to customize it for optimal comfort and precision.

Additionally, the Volume X Mini Pedal has an AUX output that can switch between tuner and expression functions, depending on your needs.

As an expression pedal, you can use the internal potentiometer to set the minimum level for the parameter controlled by the rocker.

Furthermore, an internal switch makes it possible if you prefer to reverse the heel-down and toe-down positions’ functions.

The Dunlop Volume X Mini Pedal is a versatile and space-saving solution for those seeking a reliable volume and expression pedal with a small footprint.

• My Review

As a seasoned musician, I found the Dunlop Volume X Mini Pedal a compact and efficient solution for controlling my pedalboard’s volume levels and FX parameters.

Its small size is a major advantage, as it helps me save precious space without compromising performance or durability.

I was impressed by the lightweight aluminum chassis and the low-friction band-drive system, which provided a smooth range of motion and consistent performance during my gigs.

In addition, the adjustable rocker tension is an excellent feature that allowed me to customize the pedal’s feel to my preference, ensuring a comfortable and precise playing experience.

The AUX output that switches between tuner and expression functions is a practical addition to this pedal.

I found it quite useful, especially when I needed to adjust the minimum level for the parameter controlled by the rocker as an expression pedal.

Volume Pedals - Dunlop Mini X Volume Pedal - Gear Demo

Revering the heel-down and toe-down positions using an internal switch is another thoughtful detail that adds to the pedal’s versatility.

However, I did notice some minor issues while using the Volume X Mini Pedal.

At certain positions, the pedal introduced a bit of noise to my signal, which was slightly distracting during quieter passages.

Additionally, the control span felt short, making achieving the desired tempo for longer durations somewhat challenging.

Despite these minor drawbacks, the Dunlop Volume X Mini Pedal has proven to be a reliable and space-saving solution for my pedalboard.

Here are the ratings I’ll give to the Dunlop Volume X Mini Pedal:

Its excellent performance, durability, and versatility make it a valuable addition to any musician’s setup.

While it may not be perfect, it certainly addresses many of the challenges faced by guitarists and bassists looking for a compact volume and expression pedal that delivers consistent results.

• Pros:
  • Compact size
  • Durable build
  • Smooth range of motion
  • Adjustable tension
  • Switchable tuner/expression functionality

• Cons:
  • Noisy at mid-volume range
  • Narrow volume control range
  • Some units may have durability issues
  • Squeaking sound may occur with use
  • Non-linear taper in volume control

My final verdict is that the Dunlop Volume X Mini Pedal is a high-quality and versatile volume pedal that offers a range of useful features in a compact package.

With its durable build, adjustable tension, and switchable tuner/expression functionality, the pedal provides solid performance and flexibility for musicians seeking to save space on their pedalboards.

Additionally, the pedal comes from a respected brand in the industry, further adding to its appeal.

While the value may vary depending on individual needs and budget, the Dunlop Volume X Mini Pedal offers a strong balance of features, performance, and brand reputation.

The Dunlop High Gain Volume Pedal is a versatile and durable device designed for musicians seeking precise control over their volume levels.

This compact, black pedal is housed in a heavy-duty die-cast construction, ensuring it can withstand extended use.

Measuring 11 x 5.1 x 3.5 inches and weighing just 0.5 pounds, it’s easy to incorporate into any pedalboard setup.

This analog pedal operates on a passive in-line circuit, which doesn’t require an external power source or batteries.

Its ultra-sensitive 1 million cycle taper potentiometer allows for smooth and quiet operation, making it ideal for pedal steel swells and instant dynamics.

The pedal is also designed to work seamlessly with various instruments, including guitars and pedal steel guitars.

With its dynamic control and sturdy build, the Dunlop High Gain Volume Pedal offers musicians a reliable and efficient way to manage their volume levels without compromising their sound quality.

The pedal’s model number is GCB80, produced by the well-established brand Jim Dunlop.

• My Review

As a musician, I found the Dunlop High Gain Volume Pedal to be a valuable addition to my setup.

First, it’s compact and lightweight, making it easy to fit on my pedalboard.

The pedal’s heavy-duty die-cast construction ensures durability, even with frequent use.

Finally, Finally, Finally, I appreciate that it doesn’t require batteries or external power sources, as it operates on a passive in-line circuit.

When I tried this pedal, I noticed its ultra-sensitive 1 million cycle taper potentiometer allowed for smooth and quiet operation.

This feature is particularly useful when playing pedal steel swells or adjusting dynamics on the fly.

However, I did find that the travel sweep could be a bit short, and it took some time to adjust to the pedal’s tension.

Despite this, practice proved key to mastering its use.

One aspect of the Dunlop High Gain Volume Pedal that stood out was its versatility.

Dunlop GCB 80 High Gain Volume Pedal Review

It worked well with my guitar and pedal steel guitar, providing dynamic control without affecting my tone.

I found it especially helpful to transition from rhythm to lead playing and manage feedback during gigs.

Though the pedal is marketed as a high-gain volume, I discovered it doesn’t.

Nonetheless, it effectively manages volume levels and offers a great control range.

I noticed minor tone loss and buzzing noise when using certain guitars, but it wasn’t a deal-breaker.

Here are the ratings I’ll give to the Dunlop High Gain Volume Pedal:

In my experience, the Dunlop High Gain Volume Pedal is a reliable and practical tool for musicians seeking precise control over their volume levels.

Despite minor drawbacks, its sturdy construction, smooth operation, and versatility make it a worthwhile investment for beginners and seasoned players.

• Pros:
  • Quiet operation
  • Ultra-sensitive potentiometer
  • Does not require batteries
  • Heavy-duty construction
  • Dynamic control

• Cons:
  • May suck some tone
  • Short travel sweep
  • Not suitable for high gain
  • May need volume adjustment fix
  • Grease may be used for lubrication

My final verdict is that the Dunlop High-Gain Volume Pedal is a solid choice for those needing a reliable and durable volume pedal.

It offers quiet operation, dynamic control, and heavy-duty construction.

However, there are some minor drawbacks, such as the potential for tone loss, short travel sweep, and a lack of suitability for high gain.

Despite these limitations, the overall performance of this pedal is highly regarded by most reviewers.

Additionally, the brand reputation of Jim Dunlop and the value for the price make this pedal a worthwhile investment for those in need of a quality volume pedal.

The Dunlop Volume (X) 8 Pedal is a versatile expression pedal that enables you to create smooth volume swells and control your favorite FX parameters.

Designed in collaboration with Pedaltrain, it has a compact 8” length that fits perfectly with Metro, Classic, Novo, and Terra Series pedalboards, making it ideal for musicians who need a tidy layout and efficient cord routing.

The patented Low Friction Band-Drive system ensures long-lasting performance, and the pedal features Volume, FX, Output, and Tuner jacks.

In addition, the expression mode’s minimum effect level parameters and the rocker’s heel/toe polarity can be controlled with internal adjustments.

The pedal weighs 16 ounces with a black finish and has dimensions of 3.5 x 5 x 9.2 inches.

The Dunlop Volume (X) 8 Pedal operates on a 9-volt signal format, providing an analog output with an amperage of 9 milliamps.

• My Review

As a musician, I always seek gear to help me create the best sound possible.

I recently had the opportunity to try out the Dunlop Volume (X) 8 Pedal, and overall, I was impressed with its functionality and design.

One of the standout features of this expression pedal is its collaboration with Pedaltrain.

The 8” length is perfect for Metro, Classic, Novo, and Terra Series pedalboards, and the tight layout allows for tidy cord routing.

The pedal’s patented Low Friction Band-Drive system delivers smooth and precise control over volume swells and FX parameters.

In addition, the internal controls allow customization of the expression mode’s minimum effect level parameters and the rocker’s heel/toe polarity.

The pedal’s build quality is impressive.

It’s lightweight and durable, with a black finish that looks sleek and professional.

I appreciate the inclusion of Volume, FX, Output, and Tuner jacks, which provide versatility when integrating the pedal into my setup.

In addition, the 9-volt signal format provides an analog output with an amperage of 9 milliamps, which is ideal for my needs.

While most reviews I read were positive, some criticisms are worth mentioning.

Dunlop DVP5 Volume (X) 8 Volume Pedal Demo - Volume Pedal That Fits Pedaltrain & Tourtech

One reviewer noted a creaking sound from the hinge while moving the pedal; another experienced signal loss when using it.

A third reviewer mentioned that the pedal was too sensitive for their liking, while a fourth mentioned a noticeable hiss when used with certain effects.

Finally, a fifth reviewer noted that the pedal takes up more space on their pedalboard than they would like.

In my experience, I did not encounter any of the issues mentioned by the negative reviewers.

However, I did find that the pedal’s size was a bit larger than I would prefer, which made it slightly challenging to fit into my setup.

Here are the ratings I’ll give to the Dunlop Volume (X) 8 Pedal:

Overall, the Dunlop Volume (X) 8 Pedal is an excellent expression pedal that precisely controls volume swells and FX parameters.

In addition, its build quality and inclusion of various jacks make it a versatile addition to any musician’s setup.

• Pros:
  • Compact size for pedalboards
  • Low Friction Band-Drive for durability
  • Smooth volume swells and FX control
  • Internal controls for expression mode parameters
  • High-quality construction

• Cons:
  • Creaking sound from hinge reported by some users

My final verdict is that the Dunlop Volume (X) 8 Pedal is a high-quality and versatile expression pedal with a compact size that is perfect for pedalboards.

The patented Low Friction Band-Drive offers smooth volume swells and controls over your favorite FX parameters.

The internal controls for expression mode parameters allow for fine-tuning and customization, and the high-quality construction ensures durability.

The only reported downside is a creaking sound from the hinge reported by some users.

Overall, this pedal is an excellent choice for guitarists looking for a reliable and feature-rich expression pedal, and I would recommend it.

The Xotic XVP-250K Volume Pedal High Impedance 250K is a well-crafted volume pedal optimized for passive instruments.

Its compact design and aluminum construction make it a portable and durable accessory for musicians.

It features a 250K high impedance and a nylon pivot bushing that allows for smooth and linear swells.

The pedal also includes a tuner output, a useful feature for tuning instruments on stage or in a studio.

It has a gold color, its dimensions are 8.3 x 4 x 2.6 inches, and it weighs 2.18 pounds.

The Xotic XVP-250K Volume Pedal High Impedance 250K requires a 9-volt voltage and 30 milliamps of amperage.

In addition, its analog signal format helps to produce natural and transparent sound output.

Overall, the Xotic XVP-250K Volume Pedal High Impedance 250K seems to be a versatile volume pedal that delivers smooth swells and natural sound output for passive instruments.

• My Review

After using the Xotic XVP-250K Volume Pedal High Impedance 250K, I can say it is a well-made volume pedal optimized for passive instruments.

Its aluminum construction gives it a sturdy feel and ensures it will last a long time.

Furthermore, the compact design makes it a portable accessory that can easily carry around.

One of the standout features of this pedal is its 250K high impedance, which produces a natural and transparent sound output.

I found that this helped to maintain the integrity of my instrument’s tone, and the analog signal format only added to the natural sound.

Xotic XVP - 250K Volume Pedal / Simon Gotthelf Gear Demos

The pedal also includes a tuner output, a useful feature for tuning instruments on stage or in a studio.

Regarding performance, I was pleased with the smooth and linear swells the pedal produced.

The nylon pivot bushing allowed smooth operation, and the pedal felt comfortable under my foot.

However, I noticed a significant decrease in top-end clarity at full volume.

While this may not be a dealbreaker for some, it may concern others who prioritize maintaining their tone at high volume levels.

Here are the ratings I’ll give to the Xotic XVP-250K Volume Pedal:

Regarding value, the Xotic XVP-250K Volume Pedal High Impedance 250K requires a 9-volt voltage and 30 milliamps of amperage, which may not be compatible with all setups.

It also has a relatively heavy weight of 2.18 pounds, which may be a consideration for those looking for a lightweight pedal.

• Pros:
  • Well-made with aluminum construction
  • Compact design
  • Optimized for passive instruments
  • Smooth and linear swells

• Cons:
  • May cause a significant decrease in top end clarity at full volume
  • Relatively heavy weight (2.18 Pounds)
  • Requires 9 volts of voltage and 30 milliamps of amperage

My final verdict is that the Xotic XVP-250K Volume Pedal High Impedance 250K appears to be a well-made and versatile volume pedal with some useful features for passive instruments, including smooth and linear swells and a tuner output.

However, some users have reported a significant decrease in top-end clarity at full volume, which may concern some.

Ultimately, the product’s value and performance depend on the user’s needs and preferences.

The Lehle Mono Volume Pedal is a high-end guitar pedal designed for professional musicians seeking precision and versatility.

Unlike typical potentiometer-driven volume pedals, the Lehle Mono Volume Pedal features a magnet-controlled VCA design that offers unprecedented precision and control over the volume.

This design also eliminates tone suck and added noise, preserving the true tone and clarity of the instrument.

The pedal’s gain control allows for a range of -92dB to 0dB, and an additional +10dB boost can be added when necessary.

The pedal also features an isolated tuner output, allowing easy tuning and adjustments without affecting the main signal.

In addition, the Lehle Mono Volume Pedal is a well-built and durable pedal designed to last, making it a worthwhile investment for professional musicians who demand the best from their equipment.

• My Review

I had the opportunity to test out the Lehle Mono Volume Pedal, and I have to say that I was impressed with its advanced features and superior performance.

One of the standout features of the pedal is its magnet-controlled VCA design, which offers unparalleled precision and control over the volume.

This design eliminates any tone suck or added noise, a common issue with traditional potentiometer-driven volume pedals.

I appreciated how the Lehle Mono Volume Pedal preserved my guitar’s true tone and clarity throughout its range of -92dB to 0dB.

The added +10dB boost is a nice touch, providing an extra kick when I needed it.

I was also impressed with the pedal’s versatility.

The isolated tuner output was useful, allowing me to tune my guitar without affecting the main signal.

I could easily switch between amps, tuners, or mixers without issues.

In terms of build quality, the Lehle Mono Volume Pedal is a solid and durable pedal built to last.

The rugged construction is a testament to the quality of the pedal, and it felt like it could withstand a lot of wear and tear.

The pedal’s smooth and linear response was another highlight for me.

Lehle Mono Volume S

I found the pedal easy to use and intuitive, with a large sweep and flat, responsive volume adjustment.

It felt natural to use and worked seamlessly with my rig.

As for value, the Lehle Mono Volume Pedal is on the higher end of the price spectrum than other volume pedals on the market.

However, the advanced features, superior performance, and exceptional build quality make it a worthwhile investment for professional musicians who demand the best from their equipment.

In terms of cons, I encountered a few minor issues.

Here are the ratings I’ll give to the Lehle Mono Volume Pedal:

The pedal’s size may concern some musicians with smaller pedalboards, but this is a tradeoff for the large sweep and linear response.

The pedal’s funky beige and dark gray color scheme may also be a turnoff for some musicians, but this is a minor issue in the grand scheme.

Sure, here are the requested bullet points:

• Pros:
  • Smooth volume sweep
  • No tone suck
  • Adjustable gain (+10dB boost)
  • Isolated tuner output
  • Dead quiet, no added noise

• Cons:
  • No negative reviews to report

My final verdict is that the Lehle Mono Volume Pedal is a high-quality volume pedal that offers advanced features, superior performance, and exceptional value for professional musicians.

With its magnet-controlled VCA design, smooth volume sweep, adjustable gain, isolated tuner output, and durable construction, this pedal meets the demands of even the most discerning guitarists and other musicians.

In addition, its reputation for preserving the true tone and clarity of instruments, with no added noise or tone suck, makes it an excellent choice for recording and live performances.

While the price may be a bit high compared to some other volume pedals, the quality and reliability of this pedal make it a worthwhile investment for those who prioritize quality and performance over price.

The Morley 20/20 Power Wah Volume Pedal is a versatile combo pedal designed for guitarists who need to save pedalboard space.

It features Morley’s famous optical circuitry, which ensures no compromise on tone like other Wah and Volume Combo Pedals.

The pedal has a smooth audio taper volume control that’s ideal for swells, and it’s also equipped with Morley’s Power Wah circuit, which has a wide sweep and aggressive feel.

Additionally, the Wah circuit has a 20 dB boost control that allows you to ascend into Guitar Greatness or level it back for more subtle playing.

The Wah can also be parked for Cocked Wah tones, providing another level of tone filtering options.

The pedal is made in the USA and has an LED indication for the Wah effect and a glow-in-the-dark treadle rubber.

It is also pedalboard-friendly, sized at 6.85″ x 4.5″ x 2.5″ (L x W x H), and features Morley’s premium buffer circuit that protects your tone from any mischief in your signal chain.

• My Review

I had the opportunity to try out the Morley 20/20 Power Wah Volume Pedal, which is an impressive pedal.

The combination of the Wah and Volume features make it a great option for guitarists looking to save pedalboard space.

In addition, the pedal’s small size at 6.85″ x 4.5″ x 2.5″ (L x W x H) also makes it easy to transport and use on stage.

The optical circuitry is a standout feature, ensuring no compromise on tone, which is a common issue with other Wah and Volume combo pedals.

The smooth audio taper volume control is ideal for swells, and the Wah circuit has a wide sweep and aggressive feel, thanks to the Morley Power Wah circuit.

The 20 dB boost control is another great feature that allows you to level it back for more subtle playing or ascend into Guitar Greatness.

The pedal also comes with Morley’s premium buffer circuit, which protects your tone from any mischief in your signal chain, and the LED indication for the Wah effect makes it easy to use on stage.

The glow-in-the-dark treadle rubber is also a nice touch and is handy in dark environments.

While the volume feature may take some time to get used to, it is designed with an audio taper, which is different from traditional volume pedals.

Morley 20/20 Power Wah/Volume Pedal Demo

This design accommodates different string instruments, so people expecting a usual volume pedal may leave negative reviews.

However, once you get used to it, the volume feature works well, and you can modify it to make it linear if you prefer.

The pedal is made in the USA, which means it supports American innovation and job creation, but it is a bit pricey compared to other pedals on the market.

Nonetheless, the pedal’s features and performance make it worth the investment.

In terms of downsides, there are not many.

Here are the ratings I’ll give to the Morley 20/20 Power Wah Volume Pedal:

However, the input for the power supply is on the right side, which may not be ideal for some users with their signal going from left to right.

Additionally, the Wah boost knob may accidentally get bumped, so you must watch it.

• Pros:
  • Combo Wah & Volume pedal
  • Pedalboard friendly size
  • Premium Morley buffer protects tone
  • Optical circuitry won’t wear down
  • Smooth audio taper volume control

• Cons:
  • Volume mode can be touchy
  • Volume feature may take time to get used to
  • Input for power supply on right side
  • Wah boost knob can accidentally bump
  • Costly compared to other pedals

My final verdict is that the Morley 20/20 Power Wah Volume Pedal is a high-quality, versatile pedal that offers great features and tone.

While it may take some time to get used to the volume feature, the pedal’s smooth audio taper and optical circuitry make it a reliable choice for guitarists looking for a Wah and Volume pedal in one.

The Power Wah circuit with 20 dB boost control is a standout feature that helps you achieve a wide range of sounds, and the LED indication and glow-in-the-dark treadle rubber make it easy to use on stage.

Overall, this is a great pedal that offers excellent performance but is a bit costly compared to other pedals on the market.

The Boss FV-500H Foot Volume Pedal – High Impedance is a volume/expression pedal designed for high-impedance instruments like guitars.

The pedal is made with a tank-tough diecast construction to withstand the rigors of live performance.

It features a stylish design and smooth action for comfortable use.

The pedal comes in a mono, high-impedance, inst. level version also provides an expression output with expression-compatible amps, effects, and synthesizers.

The pedal has a knob control for adjusting the volume or expression level.

It runs on a 9-volt battery and draws 30 milliamps of current.

The pedal’s analog signal format ensures high-quality sound.

The Boss FV-500H Foot Volume Pedal is suitable for guitarists and other high-impedance instrument players who need a reliable and durable volume pedal with expression output capabilities.

• My Review

As a guitar player, I was eager to try out the Boss FV-500H Foot Volume Pedal – High Impedance, and after testing it out, I have mixed feelings about this product.

On the positive side, the pedal is built like a tank and is designed to withstand heavy use on stage.

It has a stylish design and a comfortable, smooth action.

The pedal’s high-impedance design makes it ideal for guitars and other instruments.

Additionally, the pedal’s expression output greatly allows creative use with expression-compatible amps and effects.

However, I did notice a few issues with the pedal.

Firstly, the volume change is not linear across the pedal’s travel, meaning most of the volume differential is in the last 10% of the travel.

This can be frustrating, especially when making more subtle volume adjustments.

Secondly, there is a potential design flaw with the axle rod that joins the foot pedal to the base, which could cause extra stress on the screws.

This flaw could result in the pedal breaking or malfunctioning over time.

In terms of the pedal’s performance, it delivers excellent tone and a high-quality analog signal format.

Boss FV30H vs FV500H Volume

The pedal’s knob control allows precise volume or expression level adjustments.

The pedal runs on a 9-volt battery and draws 30 milliamps of current, a reasonable power consumption.

In terms of brand reputation, Boss has been a leading brand in the guitar effects industry for many years.

They have a diverse, class-leading product line-up of creative tools with exceptional sound, intuitive control, and rugged durability.

The Boss FV-500H Foot Volume Pedal – High Impedance is another solid addition to their product line-up.

Regarding value, the Boss FV-500H Foot Volume Pedal is not the cheapest option on the market, but it represents a fair investment for its quality.

The pedal’s durability and features make it a worthwhile purchase for guitarists and other high-impedance instrument players looking for a reliable, durable volume pedal with expression output capabilities.

Here are the ratings I’ll give to the Boss FV-500H Foot Volume Pedal:

• Pros:
  • High-impedance for guitar and instruments
  • Expression output for amps and effects
  • Stylish design and road-tough build
  • Comfortable, smooth action
  • Adjustable stiffness of the pedal

• Cons:
  • Volume change not linear across travel
  • Axle rod design may cause extra stress on screws
  • Rate of swell can be un-musical
  • May not fit all pedal boards

My final verdict is that the Boss FV-500H Foot Volume Pedal – High Impedance is a versatile and well-featured product with excellent tone and performance.

Its brand reputation is well-established, and while its value may not be the best in its category, it still represents a fair investment for its quality.

However, some users have noted issues with the volume change not being linear across the pedal’s travel and a potential design flaw with the axle rod that could cause extra stress on screws.

The Boss FV-500H Foot Volume Pedal is a solid choice for guitarists and other high-impedance instrument players looking for a reliable, durable volume pedal with expression output capabilities.

The Boss FV-30H Foot Volume Pedal is a compact and durable pedal that allows guitarists to control the volume of their instrument in real time.

It has a high impedance and is specifically designed for use with guitar and bass.

The pedal’s aluminum chassis makes it sturdy and easy to transport.

The FV-30H features an adjustable pedal feel that allows for customizability to suit your playing style.

The minimum volume knob lets you set the lowest level, even when the pedal is fully depressed.

The pedal’s tuner out jack can send a constant signal to a tuner.

Additionally, the FV-30H can be used as an expression pedal for controlling various effects pedals.

Finally, it requires no batteries or external power supply, making it an easy addition to your rig.

• My Review

After thoroughly testing the Boss FV-30H Foot Volume Pedal, I can confidently say it’s a solid choice for guitarists seeking a reliable and versatile volume pedal.

The pedal is made of durable aluminum and has a sleek, compact design that fits easily on any pedalboard.

The adjustable tension allows for comfortable use, and the high-impedance, stereo input, and output make it compatible with a wide range of instruments and setups.

One standout feature of this pedal is its ability to work as an expression pedal, allowing for more creative control over effects like pitch shifting and wah.

BOSS FV-30H and FV-30L Volume Pedals Review by Sweetwater Sound

The tuner output is also convenient, allowing for quick and accurate tuning on stage.

In terms of performance, the FV-30H delivers smooth and precise volume control with no noticeable tone loss.

The pedal is also very responsive and accurate, with no lag or delays in the volume changes.

The Boss brand is well-known for its high-quality and reliable pedals, and the FV-30H is no exception.

It’s built to last and withstand the wear and tear of gigging and touring.

Here are the ratings I’ll give to the Boss FV-30H Foot Volume Pedal:

While the price point is higher than some other volume pedals on the market, the FV-30H is worth the investment for its added features and durability.

However, the smaller size of the pedal may make it a bit difficult to use for those with larger feet or who prefer a larger pedal.

• Pros:
  • Compact and lightweight design.
  • Durable metal construction.
  • Smooth volume control.
  • Compatible with various instruments and amps.

• Cons:
  • No minimum volume knob or switch.
  • Some users find the pedal too small.
  • May require frequent cleaning and maintenance.

My final verdict is that the Boss FV-30H Foot Volume Pedal is an excellent choice for guitarists and other musicians looking for a reliable and versatile volume pedal.

Its sturdy and compact design makes it easy to use and transport and offers smooth and precise volume control.

The adjustable minimum volume and tuner-out features are also very useful.

While the pedal may not have as many features as some other volume pedals on the market, it makes up for it with its reliability and high-quality construction.

The Boss brand is also well-respected in the music industry, which adds to the pedal’s appeal.

I highly recommend the Boss FV-30H Foot Volume Pedal to anyone needing a reliable and compact volume pedal.

It provides excellent performance and value for its price point, making it a great investment for any musician.

The Hotone Soul Press II is a versatile guitar effects pedal that combines four functions in one compact device: volume, wah, volume/wah, and expression.

This 100% analog pedal is designed to provide a classic wah-wah tone with adjustable WARM and CLASSIC ranges, giving you the flexibility to create various soundscapes.

Switching between volume and wah control is simple, thanks to the footswitch on the pedal.

The active volume control ensures your tone remains lossless, while the LED indicators show the pedal’s status in real-time.

The Soul Press II features a true bypass, an independent expression output, and a tuner output for added convenience.

Measuring 3.19 x 6.3 x 2.01 inches and weighing 500 grams, this compact pedal is easy to incorporate into your setup.

It can be powered by a 9V DC adapter or a 9V battery (not included).

With its wide array of functions and user-friendly design, the Hotone Soul Press II is a great addition to any guitarist’s collection.

• My Review

As a guitar enthusiast, I found the Hotone Soul Press II a versatile and compact guitar effects pedal that combines volume, wah, and expression functions.

Its 100% analog design delivers a classic wah-wah tone, while the adjustable WARM and CLASSIC ranges provide the flexibility to create different sounds.

I appreciated the simplicity of switching between volume and wah control using the footswitch.

The active volume control ensured my tone remained lossless, and the LED indicators showed the pedal’s status in real-time.

The true bypass, independent expression output, and tuner output added to the overall convenience of this pedal.

Measuring 3.19 x 6.3 x 2.01 inches and weighing 500 grams, the Soul Press II was easy to fit into my setup.

I powered it with a 9V DC adapter, but it could also run on a 9V battery (not included).

However, I did encounter some drawbacks.

The Hotone Soul Press II - Wah, Volume, and Expression Made Easy!

Although the compact size was a plus, I found it challenging to get used to it, especially if you’re accustomed to a larger wah pedal.

Additionally, I noticed the volume and wah functions were quite sensitive, causing abrupt changes in sound level and wah effect.

It would be nice to have a bit more control in these areas.

Furthermore, the LED indicators, while helpful, could have been positioned better for improved visibility while standing in front of the pedal.

I also experienced some noise when engaging the wah function, which could be an issue for some users.

Here are the ratings I’ll give to the Hotone Wah Active Volume Passive Expression Pedal:

Despite these shortcomings, the Hotone Soul Press II was a valuable addition to my guitar gear, offering multiple functions in a compact design.

With its wide range of features and user-friendly design, it’s worth considering for guitarists looking to expand their sonic capabilities.

• Pros:
  • Multiple functions (4-in-1)
  • Switchable volume/wah control
  • LEDs show pedal status in real-time
  • Active volume control for lossless tone
  • Flexible Q and Tone adjustments

• Cons:
  • Sensitivity issues with volume/wah control
  • Not transparent enough for wah effect
  • No response from customer service in case of issues
  • Some reports of hissing sound and low sustain
  • LEDs are not very visible when standing in front

My final verdict is that the Hotone Wah Active Volume Passive Expression Guitar Effects Pedal Switchable Soul Press II 4 in 1 with Visible Guitar Effects Pedal is a solid choice for guitarists looking for a compact and versatile effects pedal.

With its multiple functions, switchable volume/wah control, active volume control, and flexible Q and Tone adjustments, this pedal offers many features in a small package.

The LED indicators for pedal status are a convenient addition, and the additional independent EXP and Tuner outs are useful for real-time control.

However, some users have reported sensitivity issues with the volume/wah control, and some have found the wah effect not transparent enough.

Additionally, customer service response has been reported as lacking in case of issues.

Considering the brand and value, this pedal is a good investment for guitarists prioritizing versatility and portability in their effects setup.

The Mission Engineering VM-PRO Volume Pedal is a versatile, multi-output device that functions as a volume pedal and a buffer/line driver.

It comes in a sleek flat black color, and its solid construction ensures durability.

This pedal is compatible with both active and passive instruments and is designed to suit electric guitars, basses, and acoustic-electric guitars.

One of the standout features of the VM-PRO is its selectable output impedance, which allows it to work seamlessly with various types of rigs.

Additionally, the pedal features an isolated tuner output and a Sparkle Switch for added convenience.

Finally, its buffered output is designed to maintain the proper frequency response even when connected to multiple pedals or long cables.

Measuring 6 x 6 x 8 inches and weighing 3.68 pounds, the VM-PRO requires a 9-volt power source.

This pedal is not just a simple volume control; it offers a range of tweakable options to give users the flexibility they need to shape their sound.

• My Review

After trying out the Mission Engineering VM-PRO Volume Pedal, I must say this pedal has much to offer.

It functions as a volume pedal and doubles as a buffer/line driver, making it a versatile addition to my rig.

Its compatibility with active and passive instruments makes it an excellent choice for my electric guitar, bass, and acoustic-electric guitar setup.

I appreciate the selectable output impedance feature, allowing me to use it seamlessly with various rigs.

The buffered output was also beneficial in maintaining proper frequency response through my pedals and long cable runs.

The isolated tuner output and Sparkle Switch were useful extras that I found convenient during my playing sessions.

The build quality of the VM-PRO is impressive, with its durable construction and sleek flat black finish.

It feels sturdy and is built to last, making it a reliable investment for any musician.

Mission VM-Pro Buffered Volume Pedal

However, I did encounter some minor issues when using this pedal for volume swells.

The pedal’s linear pot made it a bit challenging to achieve smooth, even swells, as I noticed some sudden jumps in volume in the initial part of the sweep.

It took some time and practice to get used to this sensitivity, but I eventually adapted my playing style to achieve the desired effect.

While the VM-PRO may not be perfect for every musician’s needs, it offers a range of tweakable options allowing greater flexibility in shaping one’s sound.

Here are the ratings I’ll give to the Mission Engineering VM-PRO Volume Pedal:

The pedal may not deliver the crybaby effect some might expect, but it excels as a volume control and buffer.

As a multi-output, buffered, and adjustable volume pedal, the Mission Engineering VM-PRO has proved to be a valuable addition to my collection of pedals.

• Pros:
  • Buffered output for proper frequency response
  • Selectable output impedance and input
  • Isolated tuner out and sparkle switch
  • Durable and built to last

• Cons:
  • Linear pot may cause sudden volume spikes
  • Not suitable for certain effects like crybaby
  • Some users find the swells not gradual enough

My final verdict is that the Mission Engineering VM-PRO Volume Pedal with Buffer Flat Black is a solid choice for musicians looking for a versatile and feature-packed volume pedal that can handle various instruments and signal chains.

Its buffered output, selectable impedance and input, and isolated tuner make it stand out from other volume pedals in the market.

However, due to its linear potentiometer, it may not be the best option for users looking for a crybaby-like effect or extremely gradual swells.

The pedal’s durability, reliability, and brand reputation are also noteworthy.

Overall, the Mission Engineering VM-PRO Volume Pedal with Buffer Flat Black is a high-quality product that delivers excellent performance and value for its price.

MOOER’s GE100 Multi-effects Processor is an electric guitar pedal designed for versatility and convenience.

This pedal features a wide range of effects with 80 preset patches and 80 user patches for creating and storing custom sounds.

Boasting eight effect modules and 66 unique effect types, the GE100 offers a diverse array of tones for any guitarist.

One of its standout features is the assignable expression pedal that allows for control over six parameters, making it highly adaptable to your playing style.

In addition, the output mode can be adjusted for a line-out, making it suitable for playing without an amp.

The GE100 also comes equipped with a 180-second looper and a drum machine, offering a variety of rhythm patterns for creating music without a computer.

Additionally, it has a built-in scale and chord learning function for educational purposes.

Constructed with a lightweight and durable design, the GE100 runs on a 9V electric power source or four AA batteries.

It features an easy-to-use interface with a large LCD, providing clear information and straightforward operation.

• My Review

As a guitarist, I found the MOOER GE100 Multi-effects Processor to be an impressive and versatile electric guitar pedal.

With 80 preset patches and 80 user patches, I had plenty of options to create and store my unique sounds.

In addition, the eight effect modules and 66 effect types offered diverse tones catering to various musical styles.

I could control six different parameters using the assignable expression pedal, greatly enhancing my playing experience.

In addition, the adjustable output mode for line-out gave me a good tone even when playing without an amp, which proved quite useful.

One of the highlights for me was the 180-second looper and drum machine, which provided a variety of rhythm patterns that inspired my creativity.

MOOER: GE100 Guitar Multi-Effects Processor

In addition, the scale and chord learning function was also valuable, helping me expand my musical knowledge and improve my skills.

Although the GE100 was lightweight and easy to transport, I noticed a few minor drawbacks.

First, there was a slight lag when switching between patches, which could be inconvenient during live performances.

Additionally, the built-in distortion effects were not as strong as I would have preferred, so I found using an external distortion pedal beneficial for better results.

Despite these minor issues, I appreciated the large LCD and intuitive interface, making navigating and operating the device simple.

In addition, the GE100’s ability to run on a 9V electric power source or four AA batteries provided flexibility for use in different settings.

Here are the ratings I’ll give to the MOOER GE100 Multi-effects Processor Electric Guitar Pedal:

In my experience, the MOOER GE100 Multi-effects Processor was a valuable addition to my guitar setup.

While it had a few minor drawbacks, its versatility, user-friendly design, and educational features made it a worthwhile investment for practice and performance.

• Pros:
  • 80 preset patches and 80 user patches
  • 8 effect modules, 66 effect types
  • 6 assignable expression pedal parameters
  • 180 seconds looper and a drum machine
  • Scale and chord learning function

• Cons:
  • Lag between selecting patches
  • Distortion effects not great
  • Power cable provided may be low quality
  • Some users experienced defects/failure

My final verdict is that the MOOER GE100 Multi-effects Processor is a versatile and feature-packed guitar pedal that offers various effects and sounds.

Its lightweight and portable design makes it easy to take with you anywhere, and the built-in looper and drum machine can be great for practicing and songwriting.

However, some users have reported issues with the power cable and defects/failures.

Overall, this product offers great value for the money and is a solid choice for guitar players looking for a multi-effects processor.

The Korg XVP20 is a versatile stereo volume and expression pedal designed for keyboard players, offering a wide range of control over their sound levels and effects.

This pedal is constructed with a durable aluminum body and features non-slip rubber on the treadle and the bottom, ensuring stability during use.

Its stereo inputs and outputs provide flexibility in signal routing, while the minimum volume control lets you adjust the level heard when the pedal is fully retracted.

An essential tool for keyboardists, the XVP20 is compatible with various Korg keyboards but may not work optimally with all models.

When used as an expression pedal, it’s important to note that the adjustable minimum volume only applies to the volume pedal function, not the expression function.

The pedal is appreciated for its smooth operation and solid build quality, making it a valuable addition to any musician’s gear setup.

• My Review

I found the Korg XVP20 Stereo Volume and Expression Pedal to be a valuable addition to my setup.

It’s durable aluminum construction and non-slip rubber on the treadle and bottom ensured stability and longevity, making it a reliable tool for controlling my sound levels and effects.

During my experience with the XVP20, I appreciated the flexibility offered by the stereo inputs and outputs for signal routing.

The minimum volume control was a useful feature when I used it as a volume pedal, allowing me to adjust the level heard when the pedal was fully retracted.

However, it’s important to note that this adjustable minimum volume does not apply when using the pedal as an expression pedal.

This wasn’t a significant issue for my purposes, but it’s something to be aware of, depending on your specific needs.

Korg XVP-20 volume expression pedal - Musikmesse 2016

Although the XVP20 is compatible with various Korg keyboards, I discovered that it might not work optimally with all models.

In my case, I had no issues with compatibility, but it’s a consideration for those looking to pair this pedal with their specific Korg keyboard.

The smooth operation of the pedal impressed me, and I found it easy to control and adjust my sound during performances.

While the pedal has a premium feel and appearance, the price may be a drawback for some musicians seeking a more budget-friendly option.

In my experience, the Korg XVP20 has proven to be a well-built and versatile volume and expression pedal.

Here are the ratings I’ll give to the Korg XVP20 Stereo Volume and Expression Pedal:

It offers a range of useful features and flexibility, making it an excellent choice for keyboardists seeking more control over their sound levels and effects.

Despite a few limitations, I found the XVP20 a valuable and worthwhile investment for my musical endeavors.

• Pros:
  • Stereo inputs and outputs.
  • Rugged aluminum body.
  • Minimum volume control.
  • Good for standard volume control.
  • Smooth operation (according to some reviews).

• Cons:
  • Some users report functionality issues.
  • Not ideal for use as an expression pedal (according to some reviews).
  • Adjustable minimum volume range is limited (0-50%).
  • May not work well with certain keyboards (according to one review).
  • Some users found it costly (according to one review).

My final verdict is that the Korg XVP20 Stereo Volume and Expression Pedal is a solid choice for musicians looking for a versatile and rugged volume pedal.

It has stereo inputs and outputs, a minimum volume control, and a durable aluminum body.

However, some users have reported issues with its functionality as an expression pedal, and its adjustable minimum volume range is limited.

Considering its reasonable price, solid brand reputation, and generally positive reviews, the Korg XVP20 Stereo Volume and Expression Pedal is a good value for keyboardists needing a reliable volume pedal.

The Fender Tread-Light Volume/Expression Pedal is a versatile and durable analog pedal designed for musicians who want better control of their sound on stage.

The pedal can be used as a volume pedal, allowing you to adjust your stage volume for more dynamic performance, and as an expression, pedal to use with other effects pedals and keyboards.

The under-treadle LED light makes it easy to see and locate the pedal at any stage, and the adjustable 3-way frequency selector lets you adjust the pedal’s response to fit your preferences.

The switchable internal buffer helps to maintain the signal’s integrity and eliminates any potential signal loss or degradation.

The pedal is built to last, with a lightweight anodized aluminum chassis and treadle and a rubberized pad to withstand the rigors of live performance.

The top-mounted jacks save space on your pedalboard, and the adjustable treadle torque ensures maximum comfort.

• My Review

As a music enthusiast, I was thrilled to try out the Fender Tread-Light Volume/Expression Pedal.

Upon receiving the product, I was impressed with its sleek and modern design.

The lightweight anodized aluminum chassis and rubberized pad gave it a sturdy and durable feel, while the top-mounted jacks saved me some space on my pedalboard.

In addition, the adjustable treadle torque was a welcome feature, allowing me to customize it for maximum comfort.

I first used the pedal as a volume pedal and was delighted with its performance.

The adjustable 3-way frequency selector was a handy tool for fine-tuning my sound.

The switchable internal buffer ensured that my signal remained pristine without signal loss or degradation.

In addition, the under-treadle LED light provided easy visibility on stage.

Finally, the on/off controllable LED switch allowed me to activate or deactivate the light whenever needed.

As an expression pedal, the Fender Tread-Light was a great addition to my setup.

I used it with other effects pedals and keyboards, and it delivered excellent results.

I appreciated that it didn’t require any power to work as long as I didn’t need the lights.

In addition, the fact that it could act as a volume and expression pedal saved me money and space on my board.

Tread-Light Series Pedals | Effects Pedals | Fender

Although the product was impressive overall, there were some downsides.

Some reviewers had reported issues with the pedal’s functionality, but fortunately, I didn’t experience any problems with mine.

It’s worth noting that the product didn’t come with a TRS (balanced) cable necessary for using it as an expression pedal, so that was an additional expense.

The price point is slightly higher than other volume/expression pedals, which might be a consideration for some buyers.

I found the Fender Tread-Light Volume/Expression Pedal a well-designed and versatile product that could benefit both guitarists and keyboard players.

Here are the ratings I’ll give to the Fender Tread-Light Volume/Expression Pedal:

Its high-quality build and user-friendly features made it an easy product to recommend.

The Fender Tread-Light is worth considering if you’re looking for a reliable and high-performing volume/expression pedal.

• Pros:
  • Adjustable treadle torque.
  • Switchable internal buffer.
  • Under-treadle LED light.
  • Top mounted jacks for space-saving.
  • No power required for basic use.

• Cons:
  • No color-changing treadle lights.
  • Doesn’t work with Fender GTX amps.
  • May require TRS cable for expression use.
  • Possible quality control issues.
  • Expensive compared to other options.

My final verdict is that the Fender Tread-Light Volume/Expression Pedal is a versatile and feature-packed pedal that produces high-quality sound.

While some customers have reported quality control issues and limited volume control range, most reviews praise its durable construction and ease of use.

However, it is priced higher than other options on the market, which may affect its value for some customers.

The Fender Tread-Light Volume/Expression Pedal could be a great choice for guitarists and keyboardists looking for a reliable and versatile pedal.

What exactly is a volume pedal?

A volume pedal is a guitar accessory that allows the guitarist to adjust the volume of their instrument through a foot-operated pedal.

It is a versatile tool used in various musical genres and is often used in live performances and recordings.

The volume pedal was first introduced in the 1960s by the Fender Musical Instrument Corporation, quickly becoming popular among guitarists.

It was designed to replace the traditional volume knob on a guitar, which could be difficult to use during a performance.

Using a pedal, guitarists could easily control the volume of their instrument with their feet, allowing them to focus on their playing and performance.

Over the years, the volume pedal has undergone several changes and improvements.

The earliest models were passive, meaning they did not require any external power source to function.

However, these models were often subject to tone loss and signal degradation, which made them less popular among professional musicians.

In the 1970s, companies such as Morley and Electro-Harmonix began producing their volume pedals, and the design began to evolve.

By the 1980s, active volume pedals with built-in buffers and other features had become common, and the volume pedal had become an essential tool for many guitarists.

Most volume pedals are active today, requiring an external power source to function.

This allows for a cleaner and more consistent signal with less loss of tone and volume.

Many modern volume pedals include additional features, such as a tuner output or a minimum volume control.

There are two main types of volume pedals: passive and active.

Passive volume pedals are the simplest type and are often the most affordable.

They do not require any external power source and are typically made from a single potentiometer and a few other components.

However, they are more prone to tone loss and signal degradation, which can be problematic for professional musicians.

On the other hand, active volume pedals require an external power source to function.

Therefore, they typically include a buffer circuit and other components that help to maintain a clean and consistent signal.

They also often include additional features, such as a tuner output or a minimum volume control.

There are also several different designs of volume pedals.

The most common design is the standard rocker pedal, which allows the guitarist to control the volume by rocking it back and forth with their foot.

Another design is the wah-wah pedal, which allows the guitarist to create a “wah” effect by moving the pedal back and forth.

Several other designs, such as the expression pedal and the footswitch, can be used for various purposes.

In addition to guitarists, volume pedals are also used by other musicians, such as bassists, keyboardists, and even vocalists.

As a result, they are versatile tools in various musical genres, from jazz and blues to rock and metal.

What should you consider when choosing a volume pedal?

Controlling your volume levels can be crucial for achieving the perfect sound when playing music.

This is where volume pedals come into play, allowing you to adjust the volume of your instrument on the fly easily.

However, with so many different volume pedals on the market, knowing which one to choose can be difficult.

These are the various factors to consider when choosing a volume pedal.

– Sound quality:

One of the most important factors to consider when choosing a volume pedal is the sound quality it provides.

After all, if the pedal doesn’t provide a clean, transparent sound, it can negatively impact your overall tone.

Therefore, the volume pedal aims to adjust the volume of your instrument without causing any unwanted noise or tone coloration.

To ensure that you choose a pedal with good sound quality, look for one that offers a smooth, gradual volume change with no harsh clicks or pops.

Additionally, the pedal should not affect your tone when the volume is changed.

Finally, you want the pedal to be as transparent as possible.

Another important factor to consider regarding sound quality is whether or not the pedal adds any noise to your signal chain.

Some volume pedals can add unwanted noise to your signal chain, which can be especially problematic if you use high-gain distortion pedals.

Look for a pedal that is designed to be as quiet as possible.

– Controls and features:

The controls and features offered by a volume pedal can vary greatly from one model to another.

For example, some pedals offer only simple volume control, while others offer additional features such as a tuner output, expression input, or boost function.

Consider what features are important to you and whether the pedal offers them.

One feature to look for in a volume pedal is minimum volume control.

This allows you to set a minimum volume level that the pedal will not go below, ensuring you don’t accidentally mute your instrument while adjusting the volume.

Another feature to consider is a tuner output.

This allows you to tune your instrument without unplugging from the pedal, making tuning quick and easy.

Expression input is another useful feature to look for in a volume pedal.

This allows you to control other pedals with the volume pedal, providing additional flexibility and control over your sound.

– Analog vs. Digital:

Volume pedals can be either analog or digital.

Analog volume pedals use a traditional potentiometer to control volume, while digital pedals use a digital signal processing (DSP) chip.

There are advantages and disadvantages to each type of pedal.

Analog pedals tend to be more responsive and provide a more natural feel.

The gradual changes in volume feel more organic and can be easier to control.

Additionally, analog pedals are typically quieter than digital pedals, which can be important if you’re using high-gain distortion pedals.

Digital pedals offer greater accuracy and flexibility in terms of control.

For example, you can set specific volume levels with digital pedals, making achieving the exact volume you want easier.

Additionally, digital pedals often have more features, such as presets and the ability to control other pedals.

When deciding between analog and digital volume pedals, consider which type of pedal will suit your needs and preferences.

An analog pedal may be the best choice if you prefer a more organic feel and don’t need advanced features.

A digital pedal may be the better choice.

On the other hand, if you want more precise control over your volume levels and need advanced features.

– Build quality and durability:

The build quality and durability of a volume pedal is an important considerations.

Look for a pedal built to last and withstand the rigors of regular use.

Consider the materials used in construction, the components’ quality, and the pedal’s overall design.

You don’t want to end up with a pedal that falls apart after a few months of use.

One aspect of build quality to consider is the weight of the pedal.

A heavier pedal can provide more stability and be less likely to slide around on stage.

However, a lighter pedal may be more portable and easier to transport.

Another factor to consider is the pedal’s resistance to wear and tear.

A pedal with a metal casing and high-quality components will likely last longer than one with a plastic casing and lower-quality components.

Additionally, pedals with sealed pots can be more durable than exposed ones.

– Presets and versatility:

Some volume pedals offer presets and a range of versatility in terms of the types of instruments they can be used with.

If you plan on using the pedal with multiple instruments, look for one that offers versatility and can be easily adjusted to work with different instruments.

Consider a pedal with preset options if you want to quickly switch between different volume settings.

Versatility can also come in the form of compatibility with different types of pedals and effects.

Some volume pedals can control other pedals, such as distortion pedals, providing more flexibility and control over your sound.

– Brand reputation

The brand’s reputation produces the volume pedal is also an important consideration.

Look for a brand with a strong track record of producing high-quality, reliable pedals well-regarded by musicians.

A reputable brand typically offers better customer support and warranties, giving you peace of mind when purchasing a pedal.

The most popular volume pedal brands include Boss, Dunlop, Ernie Ball, and Morley.

These brands have a long history of producing high-quality volume pedals that musicians widely use.

– Price and budget:

Of course, price and budget are also key factors when choosing a volume pedal.

Consider how much you’re willing to spend and what features you need.

Remember that higher-priced pedals may offer better quality components, more advanced features, and greater durability, but you may not need all these features if you’re starting.

You can find volume pedals at different prices, from under $50 to over $200.

Consider what features are most important to you and what you will spend to get them.

– Reviews and recommendations:

Finally, it’s always a good idea to check out reviews and recommendations from other musicians before purchasing.

Look for reviews from other musicians who have used the pedal to understand its sound quality, ease of use, and durability.

Additionally, consider asking for recommendations from other musicians or music store staff who may have more experience with different types of pedals.

Reviewing reviews and recommendations can help you better understand what to expect from a particular volume pedal.

It can also help you identify any potential issues or concerns you may need to be aware of.

How to properly use a volume pedal?

A volume pedal is a handy tool that allows musicians to control the volume of their instrument without having to adjust the amplifier or mixer physically.

It is a useful tool for guitarists, keyboard players, and other musicians who need control over their volume levels during live performances or recording sessions.

However, like any musical gear, proper usage of a volume pedal is crucial for getting the desired sound.

We’ll discuss how to use a volume pedal to get the best results.

– Familiarize yourself with the controls and features:

Before using a volume pedal, it is essential to familiarize yourself with its controls and features.

The most common type of volume pedal is the passive volume pedal, which does not require a power source.

Instead typically features a foot-operated potentiometer that controls the volume level of the instrument.

The first step is ensuring the pedal is properly connected to your instrument, amplifier, or mixer.

This is usually done using a standard instrument cable, and the pedal is plugged into the input or output jack of the amplifier or mixer.

Volume Pedal Fundamentals – That Pedal Show

– Adjust the parameters to suit your musical goals:

Once the pedal is connected, it is time to adjust the parameters to suit your musical goals.

The most crucial parameter is the volume range of the pedal.

The range of the pedal determines how much volume change you can get from the pedal.

Some volume pedals have a short range, while others have a more extensive range.

Choosing a pedal with a range that suits your playing style is crucial.

Another important parameter is the taper of the pedal.

The taper determines how the volume level changes as you move the pedal.

Some pedals have a linear taper, while others have an audio taper.

The audio taper is more suitable for music as it provides a more natural volume change that aligns with how we hear sound.

– Incorporate the volume pedal into your signal chain:

Once the parameters are set, it is time to incorporate the volume pedal into your signal chain.

The placement of the pedal in the signal chain can have a significant impact on the sound.

Placing the pedal before any effects will allow you to control the volume of the effect, while placing it after the effects will allow you to control the overall volume of the signal.

Another thing to consider when incorporating the pedal into the signal chain is the impedance of the pedal.

Some pedals can significantly impact the impedance of the signal, which can cause tone loss or noise.

Therefore, choosing a pedal with a high input impedance is essential to avoid these issues.

– Use the volume effect tastefully:

Finally, it is important to use the volume effect tastefully.

The volume pedal should enhance the music, not distract from it.

Making smooth transitions between the volume levels is important when using the pedal.

Abrupt changes in volume can be jarring to the listener and detract from the music.

It is also important to remember that the volume pedal is just one tool in the musician’s arsenal.

It should be used with other effects and techniques to create a full sound.

For example, using the volume pedal with delay or reverb can create a unique and exciting sound.

How to order pedals on a pedalboard?

There is no one-size-fits-all approach to ordering pedals on a pedalboard, as the optimal arrangement largely depends on the specific sound you’re aiming for.

Usually, though, you will see guitar players mostly agreeing with this order:

Tuner > Filters/Dynamics > Pitch-based Effects > Overdrive/Distortion > Modulation > Time-based Effects > Looper

Aside from that, some general guidelines can help you achieve a balanced and versatile setup.

Let’s talk in detail about the order we just mentioned, but feel free to experiment and adjust to your own preferences:

1. Tuner: Place your tuner pedal first to ensure your signal is in tune before passing through the other pedals.
2. Filters and dynamics: Wah-wah, envelope filters, compressors, EQs, and noise gates should come next. These pedals affect your sound’s dynamic and tonal aspects, so it’s best to place them early in the chain.
3. Pitch-based effects: Octavers, harmonizers, and pitch shifters should come after filters and dynamics since these pedals alter the pitch of your signal and work best with a clean, unprocessed sound.
4. Overdrive and distortion: Overdrive, distortion, and fuzz pedals typically come next. They shape your guitar’s core sound, and placing them before most other effects ensures that those effects receive a strong, consistent signal.
5. Modulation effects: Chorus, flanger, phaser, and tremolo pedals should be placed after overdrive and distortion effects. We do this to allow these pedals to add depth and movement to your sound without becoming overly distorted or overbearing.
6. Time-based effects: Delay and reverb pedals should be placed towards the end of your signal chain. This allows them to create a sense of space and depth around the other effects, simulating the sound of a room or hall.
7. Looper: If you use a looper pedal, it should be placed last in the chain. This ensures that you’re looping the entire signal, including all the effects you’ve applied.

Remember, these are just general guidelines and what generally works and sounds good.

The most important thing is to experiment and find the arrangement that best suits your personal sound and style.

For example, here’s one pedalboard signal chain that I always use:

Feel free to swap the order of pedals, try different combinations, and test out unconventional setups until you find the one that works best for you.

For those interested, I’ll leave you with most of the possibilities that you’ll encounter and how to order them.

1. Tuner
2. Filters/Dynamics:
   • Volume
   • Wah
   • Auto-Wah
   • Compressor
   • Noise Gate
   • EQ (Equalizer)
3. Pitch-based Effects:
   • Octaver
   • Harmonizer
   • Pitch Shifter
4. Overdrive/Distortion/Fuzz:
   • Boost
   • Overdrive
   • Distortion
   • Fuzz
5. Modulation:
   • Chorus
   • Phaser
   • Flanger
   • Univibe
   • Vibrato
   • Tremolo
6. Time-based Effects:
   • Delay
   • Echo
   • Reverb
7. Synth/Bitcrusher:
   • Synth
   • Bitcrusher
8. Acoustic Simulator
9. Multi-Effects
10. Utility:
    • Buffer
    • A/B/Y Switcher
11. MIDI Controllers
12. Looper

Boutique vs. Mass-Produced pedals

Boutique pedals are generally built with higher-quality components and craftsmanship, resulting in better durability and longevity.

These pedals often feature unique and innovative designs, providing a wider range of tones and effects that may not be available in mass-produced options.

Here are a few examples of boutique pedals:

All the manufacturers also tend to have a more personal approach, with better customer service and the ability to customize pedals according to the user’s preferences.

However, boutique pedals are usually more expensive due to the smaller scale of production and the use of premium components.

Mass-produced pedals, on the other hand, are more affordable due to their larger scale of production and the use of cost-effective components.

These pedals are widely available and offer a range of popular effects, making them accessible to a larger audience.

Here are a few examples of mass-produced pedals:

The quality control for mass-produced pedals can vary depending on the brand and model, but many are reliable and offer good value for the money.

As for one of the downsides, you’ll find that mass-produced pedals may not have the same level of uniqueness or innovation as boutique options.

On the other hand, they may not provide the same level of customer service or customization options.

The choice between boutique and mass-produced pedals depends on your personal preferences, budget, and desired sound.

If you’re looking for unique tones, higher-quality components, and a more personal experience, boutique pedals may be the way to go.

But I would say, for those who are on a budget and need access to popular effects, mass-produced pedals might be a better fit.

It’s worth trying out both types to see which best suits your needs and playing style.

How much should you spend on a guitar pedal?

If I were in your position, I would first determine my budget and specific needs before deciding how much to spend on a guitar pedal.

For beginners, it might be more reasonable to start with affordable, mass-produced pedals to explore different effects without spending too much.

Guitar pedals can range in price from around $30 to over $400, depending on the brand, quality, and complexity of the effect.

As your skills and understanding of your preferred tone develop, you can gradually upgrade to higher-quality or boutique pedals.

One thing I would do is consider which effects are essential to your playing style and prioritize purchasing those first.

Allocating a larger portion of your budget to the most important pedals might be a wise choice, especially if you only need a few basic effects.

However, if you require a wide array of effects, you may want to consider more budget-friendly options or multi-effects units.

Keep in mind that higher-priced pedals often come with better build quality, unique features, and improved sound quality.

Cheap Pedals: $10 pedal vs $100 pedal - Can you Hear the Difference?

But I would also say that price is not always directly correlated with quality or suitability for your needs.

Sometimes, a more affordable pedal can deliver the exact sound you’re looking for, while a higher-priced option might not meet your expectations and are only expensive because of the brand reputation.

Can you use a guitar pedal with a bass guitar?

You can certainly use a guitar pedal with a bass guitar.

But it’s crucial to be aware that some guitar pedals may not be specifically designed to accommodate the frequency range of a bass guitar.

This could result in a less-than-ideal performance or an altered tone that might not be what you were expecting.

If you’re feeling adventurous and eager to experiment with your sound, don’t hesitate to connect your guitar pedals to your bass guitar.

This can be a fun way to explore different sonic possibilities, and you might even stumble upon some unique tones that complement your playing style perfectly.

Using a guitar pedal with a bass guitar may not always produce the desired results.

In some cases, the low-end frequencies might be lost, or the effect could sound too harsh or muddy.

To avoid these issues, you could consider looking into pedals that are specifically designed for bass guitars.

These pedals are engineered with the bass frequency range in mind, ensuring that your low-end remains intact and the effect sounds as intended.

A Beginner's Guide To Bass Guitar Effects Pedals...Bass Effects Explained!

In addition to bass-specific pedals, there are also multi-effects processors and pedals that cater to both guitar and bass players, offering a wide range of effects and tonal options.

These versatile units can be a great solution if you play both instruments and want a single device to cover your needs.

How to properly power your pedals?

When it comes to powering your pedals, you want to make sure you’re doing it right to avoid any noise issues or potential damage.

First, check each pedal’s power requirements, which you can usually find in the manual or on the pedal itself.

You’ll want to pay attention to the voltage (usually 9V, 12V, or 18V) and current (measured in milliamps or mA).

Now, you’ve got a few options for powering your pedals.

You can use individual power supplies or batteries for each pedal, but that can get messy and inconvenient.

I’d recommend going for a pedal power supply or an isolated power brick.

For example here are a few ones I recommend:

• Voodoo Lab Pedal Power 2 Plus Isolated Power Supply (My favorite)

• Rowin PW-1 Guitar Pedal Power Supply (Cheapest)

• Donner DP-1 Guitar Power Supply

These babies can power multiple pedals at once, and the isolated outputs help prevent noise and ground loop issues.

Just make sure the power supply you choose can handle the voltage and current requirements of all your pedals.

When you’re connecting everything, use good quality power cables and keep them neat and tidy to avoid a tangled mess.

You might even want to use cable ties or cable organizers to keep everything in order.